Every conference you have ever attended had a competent speaker with a competent deck, and you cannot name one of them. People do not remember what they were told. They remember what they felt.
I am a former superintendent — named among America’s Top 100 Most Innovative by the U.S. Department of Education, and recognized at the White House by President Obama for putting WiFi routers on school buses so poor children could do their homework. I am also the keyboardist and co-writer for the first African-American rock band to appear on MTV.
So I stopped choosing between the argument and the experience. My keynotes make a serious case about leadership and artificial intelligence — and then they end with live music, because that is what a room actually carries home.
Every keynote is tailored to the room. These are the arguments I am currently making.
Artificial intelligence will produce a confident, fluent answer about a human being it has never met — and somebody still has to sign it. This is the case for Human-Directed AI™: people lead, technology serves, leadership decides. Delivered to the people who will be standing in the room when the question comes.
What thirty years of leading a public institution taught me about courage, accountability, and going first — into the hard meeting, the unfamiliar technology, and the conversation nobody wants to have. The keynote for organizations facing change their people did not ask for.
A plain-language reckoning with what is actually arriving — artificial intelligence now, quantum computing next — and what it demands of the humans in charge. No jargon, no hype, no doom. Just the honest shape of the thing and what leadership looks like inside it.
An interactive session built around four questions every board will eventually ask about AI: who approved it, what data it touched, whether the public can see it, and who owns the error. The audience scores themselves live. Nobody leaves comfortable, and that is the point.
M³™ is not a gimmick and it is not an opening act. It is a structure — the reason people are still talking about the session at dinner instead of checking their email during it.
Dr. Adams is a songwriter, keyboardist, and performer. The music in the room is his own.
In 1984 I was the keyboardist and co-writer for Xavion — signed to Elektra, managed by Tommy Mottola, touring with Hall & Oates. Our single went into rotation on MTV.
Xavion was the first African-American rock band to appear on MTV. Four years before Living Colour. I performed under my legal name, Derwin Adams.
Xavion — “Eat Your Heart Out” (Elektra, 1984). Keyboards and synth: Derwin Adams.
When you book me to close your event with a live performance, this is the musician you are booking. The music is not a hobby I picked up after the superintendency. It is the thing I did first.
I was Superintendent of Coachella Valley Unified — one of the poorest districts in America. We put a device in the hands of every student and teacher. Then the children carried those devices home to houses with no internet, and the devices did nothing.
So we mounted WiFi routers on school buses and parked them in the neighborhoods overnight. Children sat on their front steps and did their homework off a bus. We called it WiFi-on-Wheels.
The U.S. Department of Education named me one of the Top 100 Most Innovative Superintendents in the nation. President Obama recognized it personally, at the White House.
The White House, 2014. Future Ready pledge signing.
Two videos. Forty-two years apart. The same man.
On one of them I am playing synth on MTV. On the other, a President of the United States is thanking me for what I did for poor children.
Your attendees have sat through a great many competent sessions about artificial intelligence. They cannot name one of them. That is the problem I was built to solve.
On the TEDx stage I did not describe the music-integrated keynote. I performed it.
The talk was about connectivity — a district where children had devices and no internet, and what we did about it. And then I played them the song I wrote about it.
Let the music give the message.
In the movement is the lesson.
Let the learning spark your pleasure.
Because the Music. Message. Movement.™ is the treasure.
Performed live at TEDx.
Music. Message. Movement.™ is not a marketing framework. It is what I already do, it is on a TEDx screen, and there are photographs of the audience watching it happen.
| Format | Length | Best for |
|---|---|---|
| Keynote | 45–60 minutes | Conference general session, opening or closing. |
| Keynote + Performance | 60–75 minutes | The full M³™ experience. Live music integrated throughout, not bolted on. |
| Half-Day Session | 3–4 hours | Board retreats and leadership days. Keynote plus a working session with real outputs. |
| Staff Development Day | Full day | District or organization-wide. Keynote, breakouts, and a plan people actually take back. |
| Virtual Keynote | 45–60 minutes | Remote and hybrid audiences. Yes, the music still works. |
Fees vary by format, audience, travel, and whether the engagement includes follow-on work. Tell us about the event and you will have a number within one business day.
Tell us about the event. You will get a response within one business day — with a fee, not a brochure.